List of unusual words beginning with A - Phrontistery

Tongues are a form of prophecy (Acts 2:4, 16-18; 19:6). George W. Knight comments that prophecy itself appears in I Cor. 14:29-31 as the same phenomenon known to the Old Testament prophets, and he observes: "Not only does Paul use the key term 'revelation' within his discussion of prophecy, but he uses it as the key word to describe the entire phenomenon of prophecy in verse 26."(130) It was the Spirit of God who spoke through the New Testament prophets, just as with prophecy under the old covenant (Luke 1:67; Acts 2:4, 16-18; 11:27-28; 13:1-2; 19:6; 21:10-11; I Cor. 2:10-13; Eph. 3:3-5; I Pet. 1:10-12; II Pet. 1:19-21). "Prophetic proclamation," writes Gaffin, "is Spirit-worked speech of such a quality that its authority resides just in that inspired origin."(131) Gaffin finds confirmation of this in I Cor. 14:14 (cf. 14:2, 15-16), endorsing a translation which identifies the Holy Spirit as the originator of the words of prayer and song: "the Spirit in me prays, but my intellect lies fallow."(132)

The Aftermath This song is by Origin and appears on the album Antithesis (2008).

The majority report (1947) of the Orthodox Presbyterian Church's Committee on Song in the Public Worship of God gave what has become an influential argument for disregarding inspiration as a criterion for the selection of worship song. This argument by the majority may be divided into four elements for consideration. First, the majority report pleads that an argument based on the distinction between inspired and uninspired song "sometimes fails to take due account of the fact that the New Testament deals with conditions in the early church which have not been continued and which cannot be our present norm. Any singing by the apostles could be considered 'inspired'; and charismatic singing, also 'inspired', was then prevalent. But the apostles had no successors and the charismata have ceased. To adopt the distinction 'inspired' and 'uninspired' may thus introduce the fallacy of arguing from the temporary practice of the early church to our permanent duty. It is better to use a distinction which can be employed without this confusion in a statement of the permanent requirements of Scripture for the Christian church."(137)

Brief definitions of obscure words beginning with the letter A

Origin antithesis song Define introduction essay Essays on the theme of death in hamlet Persuasive essays against school uniforms Conflict desert storm 1 mission 4

The starting point for this thesis is the assertion that hymn texts sung in the worship of the apostolic church are found in the New Testament Scriptures. Besides pointing to the Book of Revelation's accounts of singing in heaven,(143) the report says that certain prayers and poetic sections of the New Testament may have been songs used in the church. "There is in the New Testament an expansion of song in adjustment to the wider limits of revelation. New songs were used in praise, songs fitted for the new dispensation, and not confined to the words of the Old Testament. Such was the hymn of Mary, recorded in Luke 1:46-55. The songs of Zacharias (Luke 1:67-79) and Simeon (Luke 2:29-32) introduce New Testament elements. A further example of a song containing New Testament elements may occur in I Tim. 3:16. The Greek in this verse actually does present the appearance of poetry. 'The short unconnected sentences in which the words are similarly arranged, and the number of syllables almost equal, while the ideas are antithetically related, are so suitable to religious hymns that we find all these characteristics in a series of later hymns used by the Greek and Latin church'. Lock cites three reasons why it is at least a quotation: the rhythmical form, the use of words not found elsewhere in Paul ('manifested,' 'believed,' 'received'), and the statement of ideas which go beyond the requirements of the text. Thus while there cannot be dogmatic certainty there is at least strong assurance that the best of all suggested interpretations is that which regards this passage as a hymn of praise, customarily employed in early Christian worship. If so, it is again an example of song, the materials of which are derived explicitly from the New Testament revelation."(144)