The Art Story: Clement Greenberg vs Harold Rosenberg

The rooms help, too, and not just with the souvenirs and critical quotations. They have the smaller scale of the art's first museum displays. This is not the with its fixation on Pollock alone, huge galleries, open sightlines, and walls that never quite touch the floor. At the Jewish Museum, oil paint on canvas positively leaps off the walls, as if to prove Greenberg's notion of the art object dead on. The breasts in resemble closed fists or boxing gloves, and they all but punch one in the face. Abstract painting may never have quite the same punch again.

Many painters paid homage to architectural principles in their abstract compositions.

The second room turns to the teachers, Gorky and . met Hoffman at the Arts Student League and introduced him to Pollock. Pollock, in turn, slighted Gorky, but de Kooning found an influence—and a friend. Naturally the critics again took sides, with Greenberg speaking up for Hoffman.

Comparison chart of art critics Clement Greenberg vs Harold Rosenberg

Harold Rosenberg seemed to prefer the action painters like Willem de Kooning, Franz Kline and Louis Schanker.

During intermission, one can always scan the playbill. Here that means a splendid array of gallery invitations, reviews in their original magazines, and photographs. Pollock crosses his arms for magazine, while a larger group poses as "the Irascibles," part of a protest against a museum exhibition that misses the future. The Salon des Refusés at the birth of modern art sounds humble by comparison—literally castoffs as much as fighters. And the action heroes never stop arguing among themselves. In typewritten letters, Clyfford Still manages to complain to Greenberg about a pan and to Rosenberg about the terms of his praise.

Harold Rosenberg, "The American Action …

Harold Rosenberg spoke of the transformation of painting into an existential drama in Pollock's work, in which "what was to go on the canvas was not a picture but an event".

Harold Rosenberg, “The American Action ..

Meyer Shapiro, and Leo Steinberg along with Clement Greenberg and Harold Rosenberg were important art historians of the post-war era who voiced support for abstract expressionism.

American action painters / Harold Rosenberg

While New York and the world were yet unfamiliar with the New York avant-garde by the late 1940s, most of the artists who have become household names today had their well established patron critics: Clement Greenberg advocated Jackson Pollock and the color field painters like Clyfford Still, Mark Rothko, Barnett Newman, Adolph Gottlieb and Hans Hofmann.

Harold rosenberg action painting essays

The movement s free-wheeling spirit and its unbridled, heroic energy are exemplified both by Jackson Pollock's method of dripping paint directly onto the canvas in an improvisational act of art m aking and by Willem de Kooning's slashing of form and agitated brushstrokes.

harold rosenberg action painting ..

The new movement, which became known as Abstract Expressionism, was heavily indebted to the ideas of the European pioneers of abstraction, including Vasily Kandinsky, whose work was championed in this country by the Museum of Non-Objective Painting (subsequently renamed the Solomon R.