This is a self-learning tool aimed at helping students understand and conduct research. As such, it allows them to navigate the entire course content in a non-linear fashion, based on their learning pace, abilities, interests, needs, and background knowledge of research and statistics. Reflection and self-test questions are interspersed with information materials to facilitate self-assessment and direction in accessing content. To help students who may lack the needed background to understand the more advanced topics on research and statistics, a review of basic or fundamental concepts has been included. In addition, to facilitate understanding of abstract concepts, the courseware presents an array of concrete examples and hyperlinks on: (a) conceptual and empirical literature available on the Internet, (b) research studies I have conducted and a few others done by my graduate students, and (c) lectures I have prepared for teaching graduate courses in statistics and research in DLSU-Manila and in conducting seminar-workshops for professional organizations and teachers in other educational institutions.
After a representation of the Philippine critical ground as characterized by what Isagani R. Cruz calls the phenomenon of "the other Other," as well as re-inscription of the term in the event and eventually of "critical-in-difference." each subsequent chapter focuses on one critic and locates his/her central trope in the dis-courses of the "nationality" of Philippine literature: Hosillos on her notion of "originality as vengeance in Philippine literature" along a concentric-comparativist framework; Lumbera on his definition of the national literature as a construct and a staging in the various stages of national assertion against colonization; Abad on his native clearing of Philippine literature, specifically, poetry in and from English; Reyes on her deconstruction and reconstruction of the "popular" room of enchantment with the modality of romance; Almario's on his critical act c/siting of the native literary tradition as a weapon of engagement with colonial hegemony on the ground of Piedras Platas; and San Juan on his mediation of history and nation to the Filipino people in the belly of the beast.
Halimbawa ng pansariling tala sa thesis proposal
The present study is guided by two goals: (1) to represent the theory-in-praxis-towards-theory of six major Filipino critics - Lucila V. Hosillos, Bienvenido L. Lumbera, Gemino H. Abad, Soledad S. Reyes, Virgilio S. Almario, and Epifanio San Juan, Jr. - on the "national question" of Philippine literature; and (2) to argue the political usefulness of this quest to the trajectory of inquiries and understandings of this subject called "national literature," as well as to the S/subjects who have been and will be called to this process of literally production, consumption, definition, and re-definition.
Halimbawa ng thesis sa filipino panimula
This post dissects the components of a good thesis statement and gives 10 thesis statement examples to inspire your next argumentative essay.
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